Woolf Outside Reading List

(See schedule and sign-up list for dates when these are due.  See guidelines  for expectations and requirements.
All of these are available from me.
)

  

WOOLF ESSAYS

Woolf’s essays are extremely valuable for understanding her work and her place in modern literature.  I have scanned selected essays and will provide copies for everyone to read, although I am making this optional.  You may choose to give your outside reading report on one of these essays, or choose instead from the Criticism list of articles about Woolf novels.

§         “Modern Fiction” from Common Reader (1921) – Woolf’s most quoted essay, “a manifesto of literary modernism” (Hussey 162); sets up the “Georgians” (her own generation of novelists) vs. the “Edwardians” (H.G. Wells, Arnold Bennett, John Galsworthy) regarding the definition of “life” and how the novel records it:  “Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from beginning to end” (Woolf CE2 106).

§         “Thoughts on Peace in an Air Raid” from New Republic (1940), rpt. Collected Essays (4 vols, 1966-67) – a gender analysis of war and what women can do to stop war.

 

 

CRITICISM

Everyone reads one article from this list and reports on it to the class.  I have extra copies of these that you may borrow (but I want them back). You may request permission to report on an article not on this list. 

You must choose an outside reading about a book OUTSIDE your book group. 

 

Mrs. Dalloway

  1. Abel, Elizabeth.  "Narrative Structure(s) and Female Development: The Case of Mrs. Dalloway."  The Voyage In: Fictions of Female Development. Ed. Elizabeth Abel, Marianne Hirsch, and Elizabeth Langland.  Hanover, NH: U P of New England, 1983. 161-85.

 

  1. Mezei, Kathy.  "Who is Speaking Here?  Free Indirect Discourse, Gender, and Authority in Emma, Howards End, and Mrs. Dalloway." Ambiguous Discourse: Feminist Narratology & British Women Writers.  Ed. Kathy Mezei.  Chapel Hill: U of North Carolina P, 1996.  66-92. 

 

  1. Miller, J. Hillis.  "Mrs. Dalloway: Repetition as the Raising of the Dead."  Modern Critical Views: Virginia Woolf. Ed. Harold Bloom.  New York: Chelsea House, 1986.  169-190.  Reprinted from Fiction and Repetition:  Seven English Novels.  Cambridge: Harvard UP, 1982. 

 

  1. Ruotolo, Lucio.  "Mrs. Dalloway: The Unguarded Moment."  Virginia Woolf: Revaluation and Continuity.  Ed. Ralph Freedman and Maria DiBattista.  Berkeley: U of California P, 1980. 141-160. 
     

To the Lighthouse

  1. Auerbach, Erich.  "The Brown Stocking."  Mimesis.  Princeton, NJ:  Princeton U P , 1946.  16-34.  Rpt. Bloom (and elsewhere; this is probably the most often reprinted article about TTL).

 

  1. Levy, Eric.  "Woolf’s Metaphysics of Tragic Vision in To the Lighthouse."  Philological Quarterly 75:1(1996):  109-32. 

 

  1. Lilienfeld, Jane.  "’The Deceptiveness of Beauty’:  Mother Love and Mother Hate in To the Lighthouse."  Twentieth Century Literature 23 (1977):345-373.

 

  1. Nussbaum, Martha C.  “The Window: Knowledge of Other Minds in Virginia Woolf’s To the Lighthouse. New Literary History 26:4(1995):731 53.

 

 

Orlando

  1. Caughie, Pamela L.  "Virginia Woolf's Double Discourse."  Discontented Discourses:  Feminism/ Textual Intervention/ Psychoanalysis.  Ed. Marleen S. Barr and Richard Feldstein.  Urbana: U of Illinois P, 1989. 41-53.  Rpt. McNees, vol. 2.

 

  1. Hankins, Leslie Kathleen. “Orlando:  ‘A Precipice Marked V’: Between  ‘A Miracle of Discovery’ and ‘Lovemaking Unbelievable, Indiscretions Incredible.’”  Virginia Woolf: Lesbian Readings.  Ed. Eileen Barrett and Patricia Cramer.  New York: New York UP, 1997.  180-202.

 

  1. Moore, Madeline.  "Orlando:  An Imaginative Answer."  The Short Season Between Two Silences: The Mystical and The Political in the Novels of Virginia Woolf.  London: George Allen & Unwin, 1984.  93-115.  Rpt. McNees, vol. 2.

 

Other

  1. London, Bette.  “Guerrilla in Petticoats or Sans-Culotte?  Virginia Woolf and the Future of Feminist Criticism.”  Diacritics 21 (1991):11-29.

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