Seminars Fall 2012
| HON 399-01 |
90002
|
Honors Interdisciplinary Seminar: The Bible in Later Literature | TR 12:45-2:05 |
3.0
|
MH 338 | P. Meister D. Schenker |
| Course Description: It is impossible to be ignorant of the Jewish Bible without missing the heart of the Christian New Testament, or to be ignorant of either the Jewish or the Christian Bible without missing more than one wants to in an unpredictable variety of Western poems, novels and plays. In this course, you will be invited to pursue one such intertextuality on your own while we as a class look closely at Dante's use of the Bible, and at T.S. Eliot's use of both Dante and the Bible in The Four Quartets. The time span separating Dante from T.S. Eliot is roughly comparable to the span separating parts of the Jewish Bible from all of the Christian New Testament. Eliot's reverence for, but reworking of, Dante serves as an analogy for the way Jewish authors of the New Testament reworked received Scriptures with love and reverence. Our study of the Bible in later literature is intended to enrich our relationship to post-biblical works, but also to the Jewish and various Christian Bibles themselves. | ||||||
Other Qualifying Seminars: The following selected upper division courses offered in Fall 2012 will fulfill the Interdisciplinary Seminar requirement for the Honors Diploma. An Honors Interdisciplinary Seminar Proposal Form must be submitted, along with a report to the Honors Office. See the Handbook for details.
| Course | CRN | Title | Time |
Hrs
|
Room
|
Instructor |
| MKT 332-01 | 91629 | Buyer Behavior | MW 2:20-3:40 |
3.0
|
BAB 114 | T. Landry |
| PSC 468-01 | 90870 | US National Security Policy | MW 2:20-3:40 |
3.0
|
MH 124 | K. Hawk |
| ESS 321-01 | 90583 | Pollution Problems | TR 11:10-12:30 |
3.0
|
CH 4065 | M. Newchurch |
Seminars Spring 2013
| HON 399-02 HY 499 |
Honors Interdisciplinary Seminar: Tricksters and Troublemakers in Early America |
3.0
|
C. Sears J. Conway |
|||
|
Course Description: Students will study the many lives of the early American con artist, a national anti-hero who put on many faces, including trickster, pirate, counterfeiter, cross dresser, seducer, petty criminal, and slave. We will examine how this character symbolically represents economic and cultural transformation taking place between the Revolution and the Civil War. As the con artist is a "shifty" character who can never be easily classified, he has much to tell us about the shifting categories of class, race, gender, and national identity that were in the process of forming in the early U.S. |
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